Studio fashion editorial featuring expressive poses and jumps photographed by Ken Jones using Profoto projector lighting.

Blouse Flex is a studio fashion photography study exploring the relationship between movement, symmetry, and clothing design. Using bold yoga-inspired poses, the model creates strong geometric lines that naturally draw attention to the blouse. The resulting images emphasize structure, balance, and the way fashion interacts with the body in motion.

MUSE is a brand and a love story! I can't say which is first but it's a statement to how we use our experiences to create and execute our dreams. The Creators vision is comfortable flowing fabrics which compliment your body with a touch of custom Art which happens to be her Areola! This Look book uses clean studio light as well as Project to showcase some of the pieces.

Androgynous Eucalyptus Beauty is a beauty editorial photographed by Ken Jones for Major Models NYC. The model’s naturally androgynous features inspired a minimalist concept combining clean studio lighting with organic eucalyptus textures. These agency test sessions are often commissioned by modeling agencies ahead of fashion week to help promote their talent and expand their beauty portfolios for castings and editorial opportunities.

The Kipps Collection is a whimsical children’s fashion editorial photographed by New York City fashion photographer Ken Jones. Featuring soft pastel tones, playful textures, and imaginative styling, the series captures the charm and innocence of childhood through carefully crafted studio imagery. Each photograph highlights the personality of the garments while telling a lighthearted fashion story filled with color, movement, and youthful elegance.

A Very Fairy Tale is a fashion editorial created for Fashion Rev magazine that transforms classic fairy tales into a contemporary fashion photo-essay. Inspired by stories such as Little Red Riding Hood, Cinderella, Rapunzel, and The Emperor’s New Clothes, the series blends fantasy storytelling with high-fashion imagery. Each scene reinterprets familiar fairy-tale themes through dramatic styling, expressive models, and cinematic photography, creating a visual narrative that celebrates both imagination and fashion.

This Location Lookbook is a fall fashion campaign photographed by New York fashion photographer Ken Jones for the Brooklyn brand CMOI, whose retail store is located at 3008 Avenue K. The lookbook was shot on location inside the boutique to showcase the collection in the environment where customers experience the brand. The line features custom fabrics with a palette of black, white, and rustic tones. Using Profoto lighting balanced with natural daylight, the images were designed to mimic soft sunlight and create a warm, natural atmosphere that complements the elegance of the garments.

New Masculinity is a menswear fashion editorial photographed by Ken Jones for Fashion Reverie Magazine. Shot on location in a historic East Village mansion, the series uses the architectural environment to shape the visual narrative and add texture and context to the images. Featuring two male models styled in a range of looks—from robes and dinner jackets to chain mail and classic dress shirts—the editorial explores contemporary masculinity through fashion, character, and setting.

C’est Moi is a studio fashion lookbook photographed by New York fashion photographer Ken Jones. The series focuses on strong graphic lines and bold contrast created by the garments themselves. Rather than photographing the collection on a traditional white or gray seamless background, a projector was used to cast soft window shadows onto the background paper. The shadows were intentionally blurred to introduce subtle texture and context while maintaining focus on the clothing. The result adds visual dimension and creates the feeling of an on-location environment within a controlled studio setting.

Wild is a fashion and beauty editorial photographed by Ken Jones that explores a fierce, animal-inspired aesthetic. The model’s hair was permed and styled to create a large, untamed silhouette, while the nails were designed to resemble sharp, blood-tipped claws. Together the styling elements create the suggestion of a wild creature within a modern fashion context. Although the images remain elegant and stylized, there is an unspoken energy that feels powerful and instinctive. Clothing for the shoot was provided by Zara, adding a contemporary fashion contrast to the dramatic beauty styling.

This fall and winter fashion editorial was photographed on the rooftop of the Ken Jones Manhattan studio using a combination of ambient daylight and Profoto spotlight lighting. The series explores how directional light and natural light interact to create dramatic contrast while highlighting the different skin tones of the models. The rooftop location adds texture and atmosphere to the shoot while maintaining the clean aesthetic of an editorial fashion lookbook. The styling focuses on strong seasonal silhouettes and editorial fashion looks designed for fall and winter campaigns. By combining controlled studio lighting with natural daylight, the images maintain a cinematic feel while still preserving the realism of outdoor fashion photography.

Leather Belts is a fashion editorial test photographed in November 2020 with model @daria_s_. Inspired by a styling trend where belts are used as wearable tops, the series combines belts from several designers to create sculptural garments. To bring movement and tension into the images, the model uses dance-inspired poses that emphasize motion and body lines. Strong spotlight lighting was used to mimic the dramatic feel of a stage performance, creating a fashion story that blends dance, styling experimentation, and editorial photography.

Silk and Motion is a photographic series exploring movement, fabric, and form. Shot with translucent silk-like fabrics and a model trained in dance, the images capture moments of extreme motion at precisely the right instant. The series is largely monochromatic with subtle hints of color, allowing the movement of the silk and the lines of the body to take center stage. Although the project began as an editorial fashion experiment, the resulting images feel closer to fine art dance portraiture. The style would also translate well as promotional imagery for performers such as singers, dancers, or stage artists who need dynamic visual branding.

Future Boys is a futuristic fashion editorial created for Fashion Reverie Magazine titled The Future is Now. The project explores themes of social evolution and cultural change through menswear styling and digital imagery. The models were photographed in a variety of New York locations—including the studio, rooftop, and city streets—and later composited into digitally created environments to build a futuristic visual narrative. The project reflects a period before generative AI imagery became common, when digital compositing was used to construct imaginative environments that supported the editorial vision. The editorial features designs by Loris Diran, XB OFCL, Nick Graham, and Issey Miyake Bao Bao Bags, styled with footwear by Doc Martens and Demonia. Models Issac McKinley and Vin Wyck embody a forward-looking aesthetic that blends fashion with speculative storytelling. Hair and makeup were created by T. Cooper, completing a series that imagines the future of style in an evolving cultural landscape.

Angel Bounding is a conceptual fashion editorial created as a model test in collaboration with Oscar, booking agent at Major Models NYC. The series features model Ein Tan, photographed in studio using dramatic lighting, wind from studio fans, and expressive movement to create a sense of motion and atmosphere. Hair and makeup were created by the late Melanie Harris, and the shoot was produced by Darrin Jiggets, who represented Ken Jones at the time. Strong fashion photography takes clothing and style beyond the runway. Whether shot in exotic locations or everyday city streets, the process creates a context for fashion that allows the viewer to imagine the lifestyle and fantasy surrounding the clothing. Fashion photography is inherently collaborative, bringing together designers, stylists, models, lighting, framing, makeup, and accessories to create imagery that brings the garments to life. For this series, the model was photographed in the studio and later placed into digitally composited environments created from photographs taken by Ken Jones. These background scenes include locations in New York’s East Village as well as the Queen’s Castle in Copenhagen, captured during a trip to Denmark. The final images combine studio portraiture with location imagery to create a surreal editorial narrative—produced years before the rise of AI-generated imagery.

Mongol is a fashion editorial created as a showcase for the designer Toofan, presenting the collection through a playful and visually bold narrative. The project was developed in collaboration with a jewelry designer, combining clothing and accessories to create a series of images with strong color palettes and expressive poses. The styling and visual direction were loosely inspired by Mongolian themes, not as a literal or historical interpretation but as a creative starting point for exploring bold colors, strong silhouettes, and confident stances. The result is a lighthearted fashion series that emphasizes the garments and accessories while creating an energetic and imaginative visual atmosphere. This editorial highlights the collaborative nature of fashion photography, bringing together designers, stylists, jewelry artists, and models to create imagery that celebrates both clothing and creative expression. Through dynamic posing, vibrant color combinations, and studio lighting, the series presents the designer’s work in a visually striking and memorable way.

Three Graces fashion editorial photographed in Central Park by NYC photographer Ken Jones for Fashion Reverie magazine, inspired by Greek mythology.

Hair Alive is a beauty test created as a collaboration with a hairstylist who wanted to showcase his creative styling techniques. The session focuses on expressive hair design and clean beauty portraiture, highlighting how strong hairstyling can shape the mood and character of a fashion image.

Fashion editorial photographed by NYC photographer Ken Jones featuring Prada leather bags styled against natural skin tones to emphasize texture and luxury.

Legs is a black and white fashion editorial by NYC photographer Ken Jones exploring light, form, and movement through elegant body studies with Major Model Management talent.

Editorial photography of R&B singer Brave Williams for Nu-Mode Magazine featuring beauty, fashion, and action imagery photographed by NYC photographer Ken Jones.

bag and beauty campaign for Tusks

Beauty photography session featuring Korean model Bora Kang photographed by Ken Jones using soft studio lighting and controlled highlights.

Silver and Blue is a fashion editorial collaboration photographed by NYC photographer Ken Jones featuring styling by Renesta Olds and model Nancy from Major Models.

Celebrity editorial featuring Mr. Robot actor Jaz Anderson photographed by Ken Jones for Nu-Mode Magazine using expressive portraits and diffused spotlight lighting.

Model Anna Hilltrop beauty editorial

Fashion editorial photographed by Ken Jones for Nu-Mode Magazine using white-on-white styling and parabolic umbrella lighting to create soft contrast.

Fashion editorial collaboration between Ken Jones and Zoe Champion Knitwear featuring sculptural knit dresses and colorful gel lighting.

Athletic model test photographed by NYC photographer Ken Jones featuring dynamic running and jumping poses for sportswear and commercial lifestyle imagery.

Maid to Photograph is a fashion editorial for Nu-Mode Magazine photographed by NYC photographer Ken Jones featuring model Ellen in luxury high-fashion styling.

Noirion is a studio fashion lookbook photographed by NYC photographer Ken Jones using creative lighting and reflective gels to produce water-like shadow textures.

Shadows and Sand is a fashion portrait study by NYC photographer Ken Jones exploring light and texture using black sand, oil, and dramatic studio lighting.